Cosmic Rhapsody

An orchestral work to solve Earth’s climate crisis through the exploration of space
Katie Hill - Editor-in-Chief, My Green Pod
Conductor Robert Ziegler and the Royal Philharmonic Orchestra at Abbey Road Studios

This article first appeared in our Earth Day 2025 issue of My Green Pod Magazine, published 22 April. Click here to subscribe to our digital edition and get each issue delivered straight to your inbox

Main image: Cosmic Rhapsody conductor Robert Ziegler and the Royal Philharmonic Orchestra at Abbey Road Studios

British astronomer Sir Fred Hoyle hit the nail on the head when, in 1950, he wrote: ‘Once a photograph of the Earth, taken from outside, is available – once the sheer isolation of the Earth becomes known – a new idea as powerful as any in history will be let loose.’

22 years later the first photograph of Earth from space exposed the fragility and finitude of our ‘Blue Marble’ so powerfully that it was dubbed ‘the picture that launched a thousand environmental movements’.

For Susan Lim, creator, songwriter and storyteller behind ‘Lim Cosmic Rhapsody for Piano and Orchestra’, space exploration has had an important role in our response to the climate crisis ever since.

‘Viewing Earth from a cosmic perspective fosters a sense of shared responsibility and urgency in protecting our home’, she tells us.

‘Cosmic Rhapsody’, a new 49-minute orchestral work premiering with the Royal Philharmonic Orchestra at the Barbican in May, was inspired in 2020 when the global pandemic and devastating wildfires exposed the fragility of our planet – and our vulnerability on it – in a new way.

Yet amidst feelings of defeat, NASA astronauts returned to space aboard SpaceX’s Crew Dragon, symbolising human ingenuity and resilience.

‘‘Cosmic Rhapsody’ juxtaposes these realities’, Susan shares, ‘highlighting our challenges while showcasing our potential to overcome them.’

Inspiring collective action

‘Cosmic Rhapsody’ emphasises the urgency of addressing environmental challenges while seeking solutions in the cosmic space.

The music tells a compelling story about climate change, highlighting its relevance by raising awareness about environmental issues.

‘It weaves in themes of climate change, referencing real-life events such as the wildfires of 2020 and the exploration of cosmic solutions’, Susan explains. ‘It promotes collective experiences, uniting communities around climate action, and inspires hope through uplifting themes that inspire listeners to envision solutions and a sustainable future.

‘Ultimately, our hope is for the music to inspire a sense of possibility, even in the face of daunting challenges like climate change, that there is room for hope, innovation and collective action.’

The power of music

Susan, a pioneering transplant surgeon with a love for the outdoors and nature, acknowledges that the topic of climate change can be overwhelming and, at times, alienating.

She sees music as the answer: it transcends language and cultural barriers, data and statistics, and instead connects with the human heart to evoke empathy.

‘Research, including brain imaging studies, shows that listening to music activates multiple areas of the brain, including those involved in emotion, memory and motor control, releasing neurotransmitters like dopamine, associated with feelings of pleasure and reward’, Susan tells us.

As a result, music therapy is increasingly recognised for its efficacy in treating various psychological and neurological conditions.

It can help reduce anxiety, improve mood – even aid in recovery from trauma – and can be beneficial in contexts such as stress reduction or motivation.

‘Music possesses a unique ability to connect with human emotions in ways that words alone often cannot’, Susan shares. ‘It transcends linguistic and cultural differences, tapping into the core of the human experience. Music can evoke a wide range of emotions, from joy and excitement to sadness and nostalgia.’

Fostering connection

Specific melodies, harmonies and rhythms can stir deep feelings, often bringing listeners to tears or inspiring them to dance.

Music also fosters social bonds, whether through shared experiences at concerts, communal singing or collaborative music-making.

This social aspect enhances feelings of belonging and connection – both of which are crucial to solving the climate crisis.

‘Music helps us understand complex challenges like climate change by simplifying the complexity, distilling intricate scientific concepts into relatable narratives and making them accessible to audiences at large’, Susan explains. ‘It enhances emotional engagement, evoking emotions that foster empathy and motivating listeners to connect with complex challenges.’

AI and the future

‘Cosmic Rhapsody’ is the second instalment of the ALAN Trilogy, a project that transcends entertainment and serves as a profound exploration of our future. It culminates in a call to action, artfully disguised as a symphony.

Its origin lies in the poignant song ‘Is Anybody Out There’ (lyrics by Susan, music by Joi Barua), initially shared as an animated tweet just before the SpaceX launch.

This song evolved into a rich musical and cinematic experience, created collaboratively with Christina Teenz Tan and the ALAN team, featuring an orchestral score by Manu Martin and animation by Samudra Kajal Saikia.

‘The first instalment of the ALAN Trilogy, ‘Fantasy of Companionship’, addresses loneliness and the evolving partnership between humans and AI’, Susan explains. ‘The landscape of companionship is shifting, incorporating intelligent inanimates, embodied AI systems and synthetic life forms. This evolution is driven by the intersection of longevity, loneliness and disruptive new technologies.’

The team’s goal was to spark a global conversation involving artists, musicians, scientists, environmentalists and more, using music and the arts as a medium for dialogue.

‘ALAN’, as a plush AI-enabled inanimate, aims to inspire a positive view of the future where AI systems and social robots become companions.

Where science meets art

The music itself is significantly grounded in science – from the biological teleportation of genetic codes to new alien forms with expanded genetics.

‘Having spent years grappling with complex systems, I view the climate crisis as one of humanity’s most intricate challenges’, Susan tells us ‘My medical background instills a deep sense of responsibility for wellbeing, extending to the health of our planet. Art allows me to explore these scientific concepts in a more emotional and accessible way.’

Accessibility is key to this composition; ‘Cosmic Rhapsody’ has been created for all ages, particularly those with an open mind, a love for the environment and curiosity about the cosmos.

Listeners can expect a novel cross-genre, orchestral work, 49 minutes long, featuring the exceptional artistry of the acclaimed pianist Jean Yves Thibaudet, alongside the Royal Philharmonic Orchestra conducted by Robert Ziegler, a powerful chorus of London Voices and City of London Choir and the mesmerising vocals of America’s Got Talent alum, Tom Ball, on two tracks, at the World Premiere concert on 05 May 2025.

The album itself will be released on Decca Classics on 02 May 2025; it’s a 49-minute orchestral piece comprising 33 tracks, two of which include vocals (by Killian Donnelly on the album and Tom Ball at the live premiere).

A rock band playing alongside the Royal Philharmonic Orchestra features on the same two tracks.

An animated feature film and pop album are also in the works.

Unity & purpose

In creating ‘Lim Cosmic Rhapsody for Piano and Orchestra,’ Susan’s primary goal is to raise awareness about the fragility and preciousness of our planet.

‘I want to inspire listeners to recognise our responsibility in addressing ecological challenges while also exploring innovative solutions, including the possibilities that lie beyond our Earth’, she shares.

‘Success for me would look like a meaningful dialogue sparked by the album – one that encourages individuals and communities to reflect on their relationship with the environment and then consider how we can harmonise our existence with nature’, Susan continues.

‘I envision the music resonating with a diverse audience, prompting a wide range of people to think about not only our stewardship of the Earth but also our potential as we venture into the cosmos.

‘Ultimately, I hope that the music will foster a sense of unity and purpose in tackling these pressing issues together.’

Click here to get the Cosmic Rhapsody album, available on Decca Classics from 02 May.

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